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KEPTFine Jewelry

Fine Jewelry — made to be inherited

Made for now.Kept forever.

Solitaires, signets and everyday bands, cut and set by hand in solid gold. Every piece is entered in our ledger the day it leaves the bench — so it can be resized, restored and reset for as long as somebody is wearing it.

MARK NO. 001 — THE KEEPER’S KNOT

01Materials
Solid gold and stones we can trace
02Made
Cut and set by hand, one bench
03Kept
Resized and restored for life

01The Promise

Five words. Two obligations.

The name is the whole brief. One half is about the life you’re living. The other is about everyone who gets it after you.

Made for now.

Jewelry that waits in a safe isn't jewelry, it's storage. Ours is built for hands that do things — profiles low enough to clear a pocket, stones set below the shoulder, weights that stop announcing themselves by lunchtime.

  • Sized to your hand, not to a chart
  • Comfort-fit interiors on every band
  • Finishes that improve as they wear

Kept forever.

Nothing here is plated, glued or crimped shut. Solid metal throughout, stones set so they can be taken out and reset, and a written record of exactly what your piece is made of — so any bench, in any decade, can put it right.

  • Solid gold through and through
  • Every piece recorded in the ledger
  • Resizing and restoration for life

02The Collection

Four shapes, made properly.

We would rather make four things for thirty years than forty things for one season. Each is made to order, in the metal and stone you choose.

Something else in mind? Commissions start with a conversation.

03The Atelier

How a piece becomes kept.

Four steps, in this order, every time. The fourth is the one most jewellers leave out — and the only one that makes the promise on our name true.

  1. 01

    Drawn

    Before any metal is cut you get a drawing — the real proportions, at size, on paper. Nothing goes to the bench until you have said yes to the line.

  2. 02

    Made

    One maker carries a piece the whole way: wax, cast, file, set, polish. No piece changes hands halfway through, because that is where character goes missing.

  3. 03

    Recorded

    Metal, weight, stone, origin, size, date and maker are written into the ledger under your piece's number. That entry outlives the receipt, the box, and us.

  4. 04

    Kept

    Bring it back whenever life changes shape — resized, re-tipped, restrung, reset for the next person. We already know exactly what it is made of.

A piece that can’t be repaired was never fine jewelry.

04Materials

Written down, not implied.

Everything on this list goes on your ledger entry in plain language. If we can’t tell you where something came from, we don’t set it.

Gold
18k, 21k and 22k, solid all the way through. Yellow, white and rose alloyed to the same recipe every time, so a repair in ten years still matches.
Stones
Natural and lab-grown, both welcome, never confused. Every stone above 0.30ct arrives with its own report, and the report number goes in your ledger entry.
Setting
Prong, bezel, flush and pavé — set by hand under the loupe, then checked a second time by someone who didn't set it.
Finish
High polish, satin, or a hand-brushed matte that takes daily wear and looks better for it. Re-finishing is part of the lifetime service.
Hallmark
Your ledger number is struck inside the band alongside the metal mark. It is how any bench, anywhere, can look the piece up.

05Visit

Come and hold one.

Weight is the thing photographs never carry. Sit with us for an hour, try the profiles on your own hand, and leave with a drawing — no deposit, no pressure to decide that day.

Studio
[STUDIO ADDRESS]
Viewings
[DAYS AND HOURS]
Made to order
[LEAD TIME, e.g. 4–6 weeks]
Telephone
[YOUR PHONE]

Repairs, resizing and restoration are booked the same way — whether we made the piece or not.